LAKE NONA WRITER DAN FUCHS WINS PRESTIGIOUS AWARD

November 5, 2022: Orlando, Florida. The Florida Writers Association, Inc., (FWA) has announced that Dan Fuchs of Lake Nona won two prestigious Royal Palm Literary Awards (RPLAs). Fuchs took home the silver for Unpublished Young Adult Novel for his entry titled Sergio the Ninja, and the gold for Published Short Story for Dr. Muller’s Next Move.

The awards were announced at FWA’s recent awards ceremony. This annual competition, which received 422 submissions, was RPLA’s twenty-first.

“The quality of work submitted to our contest in this challenging year was simply amazing,” said William Opperman, RPLA chairperson. “To be singled out for an Award is a true achievement.”

In all, the competition covered 28 adult genres and 5 Youth genres, with published and unpublished entries considered separately. There were four grand awards, as well.

  • Published Book of the Year: The Awakening of Jim Bishop: This Changes Things, Mainstream or Literary, by Ben Sharpton
  • Unpublished Book of the Year: My Daughter’s Mother, Women’s Fiction, by Daphne Nikolopoulos
  • Best Children’s Book: Nobody Kills Uncle Buster and Gets Away With It, Middle-Grade Fiction,  by Susan Koehler
  • The Candice Coghill Memorial Award for the best youth entry: “Icarus,” Unpublished Poetry, ages 16 to 17, by Isabel Mestey-Colon

“It is our sincere wish that all RPLA awards help the winners to market their manuscript or published book. We also hope that the detailed feedback from the judges, which all entrants receive, is useful, as well,” Mr. Opperman said.

“I’m grateful to the Florida Writers Association for hosting the RPLAs, and to the judges for their consideration and recognition of my writing. My hope is that this tremendous honor will help me introduce my work to more readers,” Fuchs added.

The Florida Writers Association, 1,600 members strong and growing, is a nonprofit 501(c)(6) organization that supports the state’s established and emerging writers. Membership is open to the public.

The Royal Palm Literary Awards competition is a service of the Florida Writers Association established to recognize excellence in its members’ published and unpublished works while providing objective and constructive written assessments for all entrants.

For additional information, visit the FWA website at floridawriters.org, where you’ll also find more about RPLA and the complete list of 2022 winners. Or visit drfuchs.wordpress.com for details about Dan Fuchs.

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Federer’s Final Match

Friday night was historic in the world of professional tennis: Roger Federer played his final match, doubles, partnered with old friend and rival, Rafael Nadal. They were playing for Team Europe in the prestigious (and uncharacteristically lively) Laver Cup tournament. Team World was represented by Americans Francis Tiafoe and Jack Sock.

The match was competitive, punctuated by some spectacular moments from all, including Fed. In the end, World won, but the outpouring of love and respect that came after — from fans, family, and fellow players — spoke volumes about Roger Federer and what he means to the sport of tennis. It was, put simply, a beautiful thing to watch. In fact, it was just as beautiful as any Federer stroke, including that sublime one-handed backhand many have emulated and few have mastered.

It was evident that Rafa wanted to win for his friend, to have him go out on a winning note. In fact, he may have wanted it too badly, as he played stiff tennis in the end, nowhere near his legendary caliber. As a friend and fellow fan pointed out via text, Rafa’s own emotions may also have been intensified by the knowledge that his final match is likely not too far down the road.

Which is, of course, as it is supposed to be. It is time for the so-called “Big Four” (Djokovic and Murray being the other two) to step aside and make room for the incredible talents of the Young Guns who are already making their presence known: Alcaraz, of course, Sinner, Ruud, Auger-Aliassime, Nakashima, and others. My hope is that they will carry on the legacy of Roger Federer — not just in the masterful art of on-court play, but also in who they are as human beings.

Thank you, Fed, for some of the most memorable tennis matches we fans have had the privilege to watch. And thank you for deciding that being a role model is important, and for showing those who come after you how to behave, on and off the court. You will be missed.

“Fedal” at the Laver Cup, London, 2022

Dan is a Double Finalist!

Dan received word via email today that he has reached the final round of judging in the Florida Writers Association’s Royal Palm Literary Awards competition in two separate categories. “Dr. Muller’s Next Move” is a finalist for Previously Published Short Story, and Sergio the Ninja is a finalist for Unpublished Young Adult Novel.

The awards will be announced at the 2022 Florida WritersCon banquet on Saturday, October 29, 2022.

Congratulations to Mr. Fuchs, and good luck!

Book Review: Amira & Hamza by Samira Ahmed

Amira & Hamza: The War to Save the Worlds by Samira Ahmed

My rating: 5 of 5 stars



I’ve been following Ahmed’s career since the publication of her best-selling debut novel, Love, Hate & Other Filters, and have enjoyed all of her previous work immensely. If you’ve done the same and have yet to delve into Amira & Hamza: The War to Save the Worlds, you should be aware that it is a slight departure from her earlier work.

As Ahmed herself says in the book’s acknowledgements section, middle-grade fantasy is “a new age group and genre category for [her].” That said, her unmistakable voice, which carries through all of her previous novels is certainly heard here. All center around strong young people who are finding their power in various ways.

As for the new genre, Ahmed navigates these uncharted waters effectively, and once I got used to the slightly younger vibe of the book (appropriate, obviously, for middle grade, as opposed to YA), the story pulled me along, just as those in her previous three novels had done — with compelling protagonists, strong plot points, and, above all else, some great writing.

I won’t re-tell the plot here, because much of Amira & Hamza’s power comes from discovering the action as it unfolds, along with the young heroes. The central theme, that there is a hero inside all of us, and that, as Amira says, “…sometimes unexpected things can change the world” is a great one for this book’s demographic. My only regret is that Ahmed didn’t write this a few years ago, when my two sons, now just shy of being grown men, were discovering chapter books. I would have loved to have shared this one with them.

If you have children — no matter their gender or cultural background — don’t hesitate to share Amira & Hamza with them. But I don’t limit my recommendation to parents. Anyone who enjoys a good story will have a great deal of fun with this one.



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HISTORIC TALES, by Various Authors

Historic Tales compiled by Akshay Sonthalia

My rating: 5 of 5 stars


This short story collection spans both time and place. From ancient Rome, in Dylan Gallagher’s “Amor Patriae,” to Super Bowl XXVII in 2003 California in Marcelino Raygoza’s “The Wonsie,” and from the Tonga people of Southern Africa in “The Unexpected Matriarch” by Palisa Muchimba, to Nazi Germany in my own “Dr. Muller’s Next Move,” HISTORIC TALES is an eclectic, sprawling anthology that creates a unique mosaic, and an important, much-needed reminder of the humanity that peoples this Earth, and which must be preserved.

In the opening piece, a meditation on the evolution of the notion of “story” by Dana Trick titled “A Tale of Storytellers and Historians,” Trick says that “some storytellers told their stories as lessons so that their listeners would become wiser and kinder…” All of these twenty-six authors aspire to this lofty goal, to one extent or another, each through their own, unique lens. In the post-911 world, as the cover illustration by Arpan Das suggests, we are in need of that wisdom and kindness more than ever.



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“Dr. Muller’s Next Move” by Dan Fuchs Appears in International Short Fiction Anthology

Historic Tales, published by Poets’ Choice’s Free Spirit Publishers division, is now available by mail. “Dr. Muller’s Day Off,” a short story by Dan Fuchs, appears in the collection, along with twenty-five other short stories that touch on historic themes.

Fuchs’s story, originally an epilogue in his novel, The House of Subtle Lies, tells the story of Dr. Wilhelm Muller, a Jewish refugee from Nazi Germany who has lived in suburban New York for the past thirty years. He is a recent widower, and finds himself alone for the first time in many years.

Thanks to a letter from his prisoner pen pal, with whom he plays an ongoing chess game, Muller reflects on the subject of kindness in a post-Hitler world, which brings a family memory into sharp focus that will inform how the good doctor faces this, his final act.

You can order a copy of Historic Tales on the Poets’ Choice website.

9/11, Twenty Years Later: Remembering That Day

Today marks twenty years. It’s the day when everyone old enough to do so recalls where they were, and what they were doing when they heard or saw the news. It’s my generation’s Kennedy assassination. Or Pearl Harbor Day. 

 Only worse. 
 Nearly 3,000 people’s lives were snuffed out that morning. An iconic building, erected during my lifetime, gone. 
 Sean — a young man now in his late 30’s, I suppose, and who I still see on Facebook — will forever be linked in my memory with the tragedy. He was the first one to make me aware of it when he arrived to my 8:30 “A Slot” class just over 15 minutes late. This was not unusual for Sean; in fact, it was a running joke, and he would often arrive with fantastical, ridiculous stores about zombie crackheads, or freak, pop-up tornadoes that delayed his subway ride from Brooklyn. (Sometimes, unbeknownst to him, if his story was creative enough, I’d mark him “present” rather than “tardy.”)
This morning, however, Sean’s expression was very different as he stepped through the classroom door. We all saw it, my students and I. 
 “You okay?” I asked him. 
 “I think I just saw a plane fly into the Twin Towers.” 
He looked baffled, like he wasn’t sure if he was awake or still asleep, in a strange dream, in which he happened to glimpse down Sixth Avenue at the exact moment the world changed forever. 
 I don’t recall exactly how I learned what was actually happening. The school office had tuned to the news coverage, and when I came to realize that the magnitude of the “plane crash” was much worse that what I’d pictured — a Cessna or some other small craft bouncing off one of the towers — my impulse was to be calm, to model calm for my students, so that they themselves could feel calm (and safe), as well. I had them form a line (this was in the days before everyone had a cell phone) so that they could use my classroom phone to call their families to let them know they were okay. 
We had moved our school up to West 30th Street only a year or two earlier. Our former location, at 51 Chambers Street, a few short blocks northeast of the towers, now looked like an eerie moonscape, covered with a coat of ash. We surely would have been evacuated to who-knows-where. 
 We eventually had an early dismissal, and, as I walked up to the Herald Square F-Train station, I was struck by the silence that filled this normally cacophonous part of town. Other than the occasional emergency vehicle, no motor traffic was allowed, so the usual groan and hiss of engines revving and braking, not to mention the ubiquitous honking of impatient horns, was surreally absent. People, too, were silent, as if we’d had the collective wind knocked out of us. I walked, slow-footed, to the train, which was re-routed to the D-Train tracks, taking us across the Manhattan Bridge. 
When we emerged from the tunnel, we all craned for a glimpse of the enormous plume of black smoke that billowed up from the space where the World Trade Center had stood for nearly 30 years. 
 “It’s true,” I heard a young woman say, fighting back her tears. “They really did it.” 
 The smell of death and burning materials of all types hung in the air for days afterward. Thankfully, I did not lose anyone close to me on that day, although I certainly know many people who did. First responders spent days in unending double-shifts, desperately searching, first for survivors, then remains. I can only imagine what that experience did to them. 
 A week or so after the attacks, my now-wife, then-girlfriend and I sat on a bench on the Brooklyn Heights promenade, silently looking across the harbor, at the smoke that still hung over the site. The skyline was forever changed. I thought it looked as if someone had punched New York square in the face, knocking out its two front teeth. 
I didn’t share that thought with Jeanette, because it was too sad to fathom. Instead, we just sat there in the silence, trying to imagine what our future, as a couple, as a country, as a planet, held in store for us.

In Memoriam: Carol Runyan Fuchs, Trickster Extraordinaire

My mother, Carol, painted by my aunt, Gabrielle Fuchs

 My mother, Carol Runyan Fuchs, would have turned 90 years old today. I’ve spent so many years without her now (over 30) that it’s difficult even to conjure her in my memory, let alone imagine her at that age.

Actually, that’s not true. It’s not that hard to see her in my mind’s eye. She’s usually laughing; she was a trickster, after all. One evening, my college buddies were visiting our house on Scott Lane, and we were all sitting in the living room, chatting and having a beer. Out of nowhere, my roommate, Greg King, stood up and pointed toward the French doors that led out onto a screened porch, muttering something like “What the fuck?”

There, hovering beyond our own reflections in the paned glass, was an eerie, spectral-white, floating, featureless face, with a blank, almost sad expression.

“Mom!” I yelled, once I realized she was wearing the ceramic mask she herself had sculpted some years ago. When she came inside, she was laughing so hard she was snorting. I don’t recall who the other young men in the room were (Jem Aswad? Ruben Howard? Ken Weinstein?), but Greg and I were both good and rattled by her little prank.

I also have memories of her sitting close to a lamp, reading. She read a lot. She appreciated good literature; our bookshelves were full, though titles and authors elude me now. I have memories of dozing on the couch, my head in her lap, as she ran her fingers absently through my hair, massaging my scalp as she read. I’d steal glances up at her, as she took sips of her drink, or blew smoke from her Tareytons out of her nostrils. 

Those gin and tonics and cigarettes are ubiquitous when I remember my mother, and are, I’m sure, a big part of why she left us so young. I wonder: what if she had realized at age 30 or so (as I myself had done) that life could be better without cigarettes? I have no idea whether that, along with a more moderate, less habitual, alcohol intake might have kept the pancreatic cancer that claimed her at bay. At least for awhile, perhaps?

There’s no way to know the answer to that one, obviously. And to be honest, the likelihood of a 30-year-old smoker choosing to quit in early 1960s America, when professional athletes were still hawking tobacco on TV ads, was unlikely at best. I mean I’m sure it happened, but my mom loved her Tareytons and Gordon’s gin to the very end.

I don’t know what sort of 90 year old she would have been, had she lived this long. I believe she would have delighted in her daughters-in-law, Heidi and Jeanette. And she certainly would have adored her grandkids, Hannah, Diego, and Jackson. (It’s one of my few great regrets in life that she never had the chance to know them.)

I’d like to believe she’d still have that mischievous glint in her eye — that even at 90 she’d be busy plotting her next prank.

Love in the Time of Corona: Update Fifteen: Jeanette Reyes-Fuchs, Playing Her Part at the IsoFac

 One of the more interesting changes in the life of our family — one I realize I’ve not really mentioned up to now — is that my wife Jeanette took a second job nearly a year ago as a call screener for the City of Austin’s Covid Response effort.  She goes in every weekday, immediately after getting out of her day job for Austin ISD, and works from 5 pm to 10 pm, and Saturdays from 12 to 8.  She works at a hotel which has been repurposed as an Isolation Facility (IsoFac) for people who need to isolate due to Coronavirus.  

She takes calls from people, in both English and Spanish, and determines whether or not they’re eligible to stay at the facility.  If they are, she makes sure they have transportation and are aware of all the processes, protocols, and procedures they’ll need to follow during their period of isolation.

Now knowing Jeanette as I do, I never had any doubt that she would do the job well.  She is one of the hardest workers I’ve ever known.  Like her father before her, she takes work very seriously, never doing a job halfway.  As she always says, “Los vagos trabajan doble,” a popular Spanish saying which loosely translates to “Lazy bums work twice as hard.”  

Now that we’ve been stranded in our home, thanks to the Winter Storm of 2021, the IsoFac is patching calls over to her cell phone.  As a result, I’m witnessing her good work first-hand.

“And you are Covid-positive?”

“Anyone else?”

“And how old are you?”

“And your daughter is also positive?”

These are what the “typical” calls have sounded like.  Now, in the midst of this freeze, and the subsequent collapse of our utilities, things have changed.

“How long have you been without heat?”

“And you’ve been sitting in your car for how long?”

“And the baby is with you in the car?”

“Are you experiencing any symptoms at the moment.”

She remains the consummate professional, well trained, skilled at helping people stay calm in dire situations.

During a break between calls, she sits at our dining room table in front of her laptop, and watches a fitness video on her phone.  

“You okay?” I ask, realizing that despite having it better than most of the people who call her, these conversations must take their toll.

She smiles at me.  

She looks tired.

I’ve never been prouder of her than I am right now.

Jeanette Reyes-Fuchs, 2020